Prometheus, Bound and Unbound

The coy and occasionally frustrating game of “is it a prequel?” footsie aside, there’s never been much doubt about the debt Ridley Scott’s upcoming film owes to the Alien series he began in 1979. The iconography of the “space jockey” and the vision of a future subservient to the whims of a distant, remorseless corporation form the basis for the Prometheus’ quest to uncover the origins of life itself. So it seems like the perfect moment, as the long-awaited film begins screening world-wide, to revisit the unique, unsettling and largely fantastic Alien saga.

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The Lion's Historian

A King rides through the Savannah, guided by a retinue of men, and lays waste to the great beasts before him. Some flee from the onslaught. Others attempt, in vain, to defend themselves. They are all victims. They are shot and stabbed. They roar and thrash and bleed out. The earth groans beneath the bounty of blood. Today, that image will earn you an earful from environmentalists and activists around the globe. But millenia ago in Ancient Mesopotamia, it was practically a qualification.

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